Dreaming of Music After the End of Facebook

This post is long, so I’ve embedded some music throughout you can listen to while reading.

We have been disgruntled about Facebook for a long time.

It seems like there are two reasons we’ve used it for this long. The first often rings as an exhausted regurgitation of Facebook’s current marketing campaign, that it connects us to our high school friends, people from camp, so on and so forth. Leaving Facebook, we’d be exiting a community.

The second is, simply, Events. You’ll rarely hear someone more exhausted by the internet than when you hear a music lover, musicians, and organizer say they’re only on Facebook for the events.

In neither of these cases is being happy with Facebook any part of the equation. Imagine if you heard a friend say, “I love Facebook.” You’d probably check their pupils and make sure they knew what day of the week it is.

Of course, Facebook just has to keep us unperturbed enough to stay on its platform so it can continue mining our data. Anyone who has used the platform for this long has continued to be begrudgingly on board with that.

Yet the past week’s leaks and exposés on Cambridge Analytica have underscored that Facebook is indiscriminate with how it doles that data out.

But now we’ve learned that Facebook would rather not know what happens with that data once it’s sold — including if that data is then peddled second hand, surprisingly — and will quickly turn around and tell users we agreed to give the data in the first place didn’t we?

It’s as much a pillar of contemporary American life as McDonald’s, Jordans, or Marvel movies, yet is widely considered a terrible product with strikingly limited upsides. Facebook doesn’t look good, doesn’t taste good, and isn’t even particularly entertaining. At least when you go to Target, you complete a necessary transaction and never have to talk to anybody. Facebook just smugly fucks us over.

Continue reading Dreaming of Music After the End of Facebook

Groove du Jour: The ADT Cornucopia

ADT’s new record Insecurities is totally fricking phenomenal. It’s also something of a moment for the Chicago scene. Yes, Insecurities is the culmination of years of work by one of the most exciting bands in town. But it’s also a snapshot of a group of players who come from all these different pockets of the Chicago scene, making the band something of a local super group.

So, to give you a little context for who these people are and what they do. Here are a whole bunch of videos of members of ADT playing in other projects. Most of these videos were shot by the incredibly Erica Gamble. Ok, let’s do this alphabetically by band member.

Jake Acosta

Jake Acosta writes the songs for and leads the sophisitipop band Famous Laughs.

He used to perform solo as Jazz Baat (in this video joined by fellow ADT member Carlos Chavarria)

Continue reading Groove du Jour: The ADT Cornucopia

Kaori Suzuki @ Studio Grand, 4/3/2017

Stunning synth drone brimming with tension from Kaori Suzuki. The Oakland artist deals in that timeless style of modular synth work surveying that puzzling area between overtones. It reconfigures how sound works in spaces, like rooms or grey substrate between ears. When tones are so often means to an end, it’s always remarkable when an artist so deftly concentrates on just a few.

Suzuki builds synths as well as playing them, and founded the synth company Magic Echo Music. They made a really neat device to let a computer control a Serge synthesizer, that legendary synth system designed by a mad genius professor at Cal Arts in the 70s.

This video was shot by Bill Russell at Studio Grand in Oakland.

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Kurt Vise @ Resistor 8/11/2017

Smokin’ post-post-Kraftwerk beatdowns from one half of Chicago’s gonzo noise rock /electroterror duo King Tuts Tomb. Kurt Vise has been the relatively recent solo project where Kenny Klemeir dives into some quantized groovin’ over the course of these sets where elements  like bass lines, drum machine patterns, and synths blend into each other endlessly. Truly the man machine at work. Very Deutsche.

Kurt Vise might now be known more often as KV, but be sure to check out the tape that he put out on Potions‘ Pretty Alright label last year. Kenny also played on Jake Acosta’s stellar tape on that very label, First Corridor.

The video was shot by Erica Mei Gamble.

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Sick Llama @ The Hideout, 10/18/2017

Sick Llama is maybe the best noise solo act in America? The best noise comes from Detroit, and Sick Llama may just be the best classic noise jammer jamming in Detroit. Especially the past few years, Sick Llama sets have often veered out of harsh territory into the deep, heavy, and incredibly psychedelic. This video provides a really good example of where he’s at, with plenty of broken tape loops, fried manipulations of synth recordings, and, of course, the clarinet.

Heath Moerland is also proprietor of the soon-to-be-finito Fag Tapes label (once it hits 1000 releases, sometime soon apparently). He is also a purveyor of all sorts of merchandise brandishing the truly excellent graphic that goes “Music is a Natural High.” Sure is.

This was video was recorded by Erica Mei Gamble at an edition of the Resonance Series, booked by Ben Baker Billington and Sullivan Roger Davis.

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ADT @ The Hideout, 2/24/2018

In a city with one of the most richest active jazz traditions alongside one of America’s most vibrant avant music scenes, a band like ADT may be inevitable. Chicago’s a place where various lines are always intersecting, where sounds and ideas float around and mutate rapidly, resulting in this hodge podge group of free jazz, noise, and pop musicians making the deepest, psych burner free music imaginable.  So yeah, ADT’s occurrence in Chicago makes a lot of sense, but their excellence is not a foregone conclusion.

And fuck are they good. They consistently rip at just about any gig they show up at, and this set at The Hideout acts as something of a showcase of all the little niches they have developed over the years. The band’s own Kyle Drouin worked the projections throughout the set. This recording was taken just this past weekend at the record release show for the band’s new album Insecurities on Hausu Mountain. It’s a really really good album, and pretty stunning on account of the fact that the band improvised all of those intricate, melodic compositions on the spot.

This video was shot by Erica Gamble at a show organized by Doug Kaplan.

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Opheliaxz @ Smart Bar 10/12/2017

Incredibly on techno set from Smart Bar’s newish Research & Development series, bringing artists who are a little more explicitly weird or underground in for free Thursday shows. This particular Opheliaxz set is that rare blend of jubilant vibes and super hard techno. So many DJs seem to skew dark when it comes to techno this aggressive, but it just doesn’t have to be that way!

Opheliaxz has also put out some really choice mixes recently through the c- label on Soundcloud. Kelsey Knots, the real name behind Opheliaxz, is also integral to the Terry Radio crew, and therefore involved with some of the best radio on the internet.

This video was shot by Erica Mei Gamble.

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